Pacific Standard Time - Art in Los Angeles, 1950-1980

Venue

Martin-Gropius-Bau

Niederkirchner Straße 7

10963 Berlin Friedrichshain-Kreuzberg

to the Museum

Pacific Standard Time - Art in Los Angeles, 1950-1980
15. March 2012 - 10. June 2012


An exhibition of the Getty Research Institute and the J. Paul Getty Museum, Los Angeles, in association with the Martin-Gropius-Bau, Berlin.

Catalogue available.

Exhibition website

The exhibition project “Pacific Standard Time. Art in Los Angeles 1950-1980” traces the development of the Los Angeles art scene during the post-war period, when the city on the Pacific hosted an impressively varied and versatile art scene, thus proving that it was more than Hollywood and a sprawling metropolis in the land of sunshine and palm trees. “Pacific Standard Time” features internationally esteemed artists such as John Baldessari, David Hockney, Edward Kienholz or Ed Ruscha as well as protagonists that are yet to be discovered like the abstract painters Helen Lundeberg and Karl Benjamin, the ceramicists Ken Price and John Mason, and sculptors such as De Wain Valentine.

The mega show – over 60 institutions and galleries in Los Angeles were involved – is taking the two main core exhibitions of the Getty Museum and the Getty Research Institute to Europe. The sole European venue is the Martin-Gropius-Bau in Berlin.

The section of the exhibition that was to be seen in Los Angeles’ Getty Museum under the title of “Crosscurrents in L.A. – Painting and Sculpture, 1950-1970”, presents painting and sculpture. In the second part that was to be seen in Los Angeles under the title of “Greetings from L.A. – Artists and Publics, 1950-1980”, posters, artists’ catalogues, postcards, invitation cards and other memorabilia are shown which offer a deeper insight into the networks of the Los Angeles art scene at that time. For Berlin the show has been supplemented to include photographs by Julius Shulman, whose architectural shots defined the image of the Californian lifestyle in the 1950s. His incomparable sensibility and intuitive feel for composition and the ‘critical moment’ established him as a master of his craft.

Related Topics
American Art, California, David Hockney, Ed Ruscha, Edward Kienholz, John Baldessari, Los Angeles

 
 
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