How did the public commemoration of the Holocaust and Nazi war crimes in Europe begin? What images shaped the collective memory of those involved? What role did the first exhibitions play in coming to terms with the crimes and remembering the victims? And how do these productions continue to have an impact today? Between 1945 and 1948, exhibitions were set up in London, Paris, Warsaw, Liberec and Bergen-Belsen, using photographs, films, works of art and historical objects to report on the atrocities.
A clock and a small Madonna statue bear witness to the massacre in Oradour-sur-Glane, while original newspaper articles and guestbook pages from the exhibitions document the social debates of the time. Also on display are excerpts from documentary films that vividly capture the exhibitions of the time and the sometimes shocked reactions of visitors. The presentation also looks at why a Jewish amulet for babies could not be shown in Bergen-Belsen at the time. Or which exhibits about Jewish resistance fighters were presented. over 280 objects and reproductions relating to the conception of these early European exhibitions illustrate the tragic story of the victims using testimonies from the perpetrators and personal objects. In dialog with the team of lecturers, new research perspectives are opened up and individual focuses and interests of the students are addressed.
90 minutes
Translated with DeepL
Languages: English, German, Französisch, Spanisch (weitere Sprachen auf Anfrage)
Hinter dem Gießhaus 3,
10117 Berlin
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+49 (30) 203 04- 750 / 751
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