main content start,
Coco Fusco. Your Eyes Will Be an Empty Word, 2021. Video still. Courtesy the artist.
Coco Fusco. Your Eyes Will Be an Empty Word, 2021. Video still. Courtesy the artist.

 

Coco Fusco – Tomorrow, I Will Become an Island is the first major retrospective of Cuban-American artist Coco Fusco (b. 1960, US) in Germany. For more than three decades, she has been a key voice in discourses on racial representation, feminism, postcolonial theory, and institutional critique. The exhibition seeks to trace the profound influence that Fusco’s work has had on the contemporary art discourse in Germany and the world. To do so, it features a broad selection of the artist’s videos, photography, texts, installations, and live performances from the 1990s to the present day.

 

With her work, Fusco questions institutional infrastructures that condition the presentation, circulation, and value production of art as well as the visual culture at large. She further examines the ongoing effects of colonial power and imperial forces, which makes a large survey of her work highly relevant in light of timely political and cultural debates in Germany. KW Institute for Contemporary Art honors the complexity and multidisciplinarity of Fusco’s writing, activism, and performative work with a varied public program. In addition to a series of talks organized together with ICI Berlin, KW commissioned Fusco to create a new multimedia-performance, which will be staged in collaboration with Sophiensaele early December 2023.

 

Parallel to the exhibition at KW, an extensive, eponymous monograph of Fusco’s work will be published by Thames & Hudson with contributions by Julia Bryan-Wilson, Anna Gritz, Jill Lane, Antonio José Ponte, and the artist herself.

 

Co-Curators: Anna Gritz and Léon Kruijswijk
Curatorial Assistant: Linda Franken

Location,

KW Institute for Contemporary Art
Auguststraße 69, 10117 Berlin

Third-party OpenStreetMap cookies
By loading the map, you accept OpenStreetMaps' privacy policy of OpenStreetMap.

Telephone,

+49 (30) 24 34 59-69

Fax,

+49 (30) 24 34 59-99

Website,

www.kw-berlin.de/en/coco…

Prices,

Admission price 10,00 €

Berlin Welcome Card holders 6,00 €

The purchase of tickets is only possible on site and by card payment.

Reduced price 6,00 €

Berlin Welcome Card holders 4,50 €

Free admission to visitors up to and including 18, Friends of KW and Berlin Biennale, and KW Lover* cardholders, Berechtigungsnachweis holders (former berlinpass), Recipients of ALG II, students of Weißensee Kunsthochschule Berlin and Universität der Künste Berlin, ICOM Members and Museumsbund Members

Related Events

Tickets

Admission price

10,00 €

Berlin Welcome Card holders 6,00 €

The purchase of tickets is only possible on site and by card payment.

Reduced price

6,00 €

Berlin Welcome Card holders 4,50 €

Free admission to visitors up to and including 18, Friends of KW and Berlin Biennale, and KW Lover* cardholders, Berechtigungsnachweis holders (former berlinpass), Recipients of ALG II, students of Weißensee Kunsthochschule Berlin and Universität der Künste Berlin, ICOM Members and Museumsbund Members

Yearly ticket

Click here for information about Yearly ticket.

Catalog

Services

Organizer

Links

Accessibility

More Exhibitions

Key Visual After Images
© JSC

Special exhibition

Julia Stoschek Foundation

After Images

White Noise 3
© VG Bild-Kunst, Bonn 2025

Special exhibition

Zitadelle

Anna Werkmeister - white noise

13. Berlin Biennale für zeitgenössische Kunst
© Berlin Biennale

Special exhibition

Hamburger Bahnhof – Nationalgalerie der Gegenwart

13th Berlin Biennale for Contemporary Art

Near by

George Grosz - The Muckraker
George Grosz Estate

Special exhibition

Samurai Museum Berlin

George Grosz

The Muckraker

Gefühlsdinge
(c) Centrum Judaicum

Special exhibition

New Synagogue Berlin – Centrum Judaicum

Emotional things

How to Listen to Objects?

Sandro Botticelli, Gemälde des Giuliano de' Medici, 1478
© Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt

Special exhibition

Bode-Museum

The Pazzi Conspiracy

Power, Violence and Art in Renaissance-Era Florence

Bernhard Hoetger, Les Adieux (Der Abschied), Detail, 1904
© Fotonachweis: Paula Modersohn-Becker Museum, Bremen, Sammlung Bernhard Hoetger, Leihgabe aus Privatbesitz / Foto: Jürgen Nogai, Bremen

Special exhibition

Alte Nationalgalerie

Camille Claudel and Bernhard Hoetger

Emancipation from Rodin

Die „Krone von Kertsch“. Das Diadem einer vornehmen Dame wurde in einem völkerwanderungszeitlichen Grab in Kertsch – dem antiken Pantikapaion – auf der Krim entdeckt. Spätes 4. / 1. Hälfte 5. Jahrhundert n. Chr.
© Römisch-Germanisches Museum/Rheinisches Bildarchiv Köln

Special exhibition

Neues Museum

The Crown of Kerch

Treasures from the Dawn of European History

Luftaufnahme der Grabungsstelle, links die noch heute genutzte Badeanlage
© Foto: su concessione della Soprintendenza Archeologia, Belle Arti e Paesaggio per le province di Siena, Grosseto e Arezzo

Special exhibition

James-Simon-Galerie

The Bronzes of San Casciano dei Bagni

A Sensation from the Mud

This form can be used to report content on Museumsportal Berlin that violates the EU Digital Services Act (DSA).

Report content

Cookie-Policy

We use cookies to provide the best website experience for you. By clicking on "Accept tracking" you agree to this. You can change the settings or reject the processing under "Manage Cookies setup". You can access the cookie settings again at any time in the footer.
Privacy | Imprint

Cookie-Policy

We use cookies to provide the best website experience for you. By clicking on "Accept tracking" you agree to this. You can change the settings or reject the processing under "Manage Cookies setup". You can access the cookie settings again at any time in the footer.
Privacy | Imprint