main content start,
© Staatliche Museen zu Berlin, Museum für Islamische Kunst
© Staatliche Museen zu Berlin, Museum für Islamische Kunst
© Staatliche Museen zu Berlin, Museum für Islamische Kunst
© Staatliche Museen zu Berlin, Museum für Islamische Kunst
© Staatliche Museen zu Berlin, Museum für Islamische Kunst / Zina Ebden
© Staatliche Museen zu Berlin, Museum für Islamische Kunst / Zina Ebden
© Staatliche Museen zu Berlin, Museum für Islamische Kunst / Zina Ebden

The work of Hassan Massoudy is characterised by aphorisms embedded in richly coloured compositions that can be read as commentary on the questions of our time. Parallel to the exhibition at the Pergamonmuseum, Massoudy’s work is also being shown at the Freiraum in der Box project space in Berlin-Friedrichshain.

The restrictions on social life because of the pandemic, the heated debate surrounding migration, and the youth-led climate movements such as Fridays for Future broach questions more topical than ever about how we want to live together as a society and how we can sustainably protect our earth’s social and natural environment. Under the title The Earth Has a Place for Everyone, taken from Friedrich Schiller’s 1804 poem “Der Alpenjäger” (The Alpine Hunter), the Museum für Islamische Kunst (Museum for Islamic Art) – Staatliche Museen zu Berlin and Freiraum in der Box bring a new perspective to current social debates and present Hassan Massoudy’s calligraphic art in a two-part special exhibition.

Massoudy’s Iconic Style of Aphorisms, Colour and Calligraphy

Massoudy (b. 1944) received his first training in classical Arabic calligraphy in his native Iraq, where he also operated his own calligraphy studio until the late 1960s. His desire for artistic experimentation ultimately motivated him to go to Paris to attend the Académie des Beaux Arts, where he developed his iconic style. Inspired by an aphorism and the associations and emotions it evokes, Massoudy intuitively creates sweeping forms in bold colours around a key word of the aphorism. In this process he leaves the rules of classical calligraphy far behind and combines the creative potential of Arabic calligraphy with forms of expression, ideas and techniques from Europe and East Asia. Along with his reed pen – a kalam – Hassan Massoudy uses painting tools and paints he develops himself to execute his unique technique.

Massoudy’s exploration of the wisdom and sayings of historical figures from around the world fosters a philosophical and artistic approach to the pressing issues of our time. The special exhibition in the Book Art Gallery at the Museum für Islamische Kunst pays tribute to the artist’s oeuvre, which shows how epochal, stylistic, and regional boundaries can be dissolved and merged into a new masterpiece.

A Two-Part Exhibition Shows a Selection of Fifty New Acquisitions

Following the Capturing Iran’s Past exhibition, the Museum für Islamic Kunst once again takes up a present-day perspective, demonstrating that its interest in its historical collection also extends to contemporary artists whose heritage is linked to its objects’ countries of origin. The collection’s acquisition of 50 works by Massoudy led to the exhibition. A selection of these works and earlier ones are on view at the two venues.

Exhibition Opening Hours at Freiraum in der Box:

  • Wednesday–Friday, 3 – 6 pm
  • Saturday, noon – 6 pm

Registration is required to visit the exhibition: anmeldung@freiraum-berlin.org

A special exhibition of the Museum für Islamische Kunst (Museum for Islamic Art) – Staatliche Museen zu Berlin.

Opening hours,

  • Monday closed
  • Tuesday-Sunday 10:00 - 18:00
  • 3. October 10:00 - 18:00

Location,

Pergamon Museum
Am Kupfergraben 5, Besuchereingang über James-Simon-Galerie, Bodestraße, 10117 Berlin

Telephone,

+49 (30) 266 42 42 42

Website,

www.smb.museum/en/exhibi…

Email,

[javascript protected email address]

Related Events

Tickets

Booking Telephone

+ ()

Catalog

Services

Service Telephone

+49 (30) 266 42 42 42

Organizer

  • Museum of Islamic Art

Links

Accessibility

More Exhibitions

© Staatliche Museen zu Berlin, Vorderasiatisches Museum / Olaf M. Teßmer

Ancient Near Eastern Cultures

© Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius

Architecture of Antiquity

Market Gate of Miletus

© Staatliche Museen zu Berlin / David von Becker

Art of Islamic Cultures

© Marlene Kettner

Trans-cultural Relations, Global Biographies – Islamic Art?

© Staatliche Museen zu Berlin, Museum für Islamische Kunst / Teßmer

Dream and Trauma

Reopening of the Carpet Rooms in the Museum für Islamische Kunst

© Staatliche Museen zu Berlin, Vorderasiatisches Museum / Fotograf unbekannt

From Fragment to Monument

The Ishtar Gate in Berlin